Loyalty of Life's Transmissions. Rehearsing.

lojalność życiowych przekładni. ćwicząc.

Morgan Ohara

movement of the English National Ballet
 while rehearsing fragments of Giselle

movement of the hands of conductor Riccardo Chailly
while conducting the Concertgebouw Orchestra
in Mahler’s Symphony No 4, first movement

movement of the hands of Martha Argerich
while playing Beethoven's Piano Concerto No1

movement of the hands of Annette Lehmann
while digging up asparagus (vulcan type)

LIVE TRANSMISSION drawings track, in real time, the vital movement of living beings, transcending both figuration and abstraction, executing a direct neural translation from one human action into another. Drawing methodically with multiple razor-sharp pencils and both hands, as performative drawing, O'Hara condenses movement into accumulations of graphite line which combine the controlled refinement of classical drawing with the unbound sensuality of spontaneous gesture... Bla bla bla